En el Hatha yoga Pradipika dice:
“When the Brahma granthi (in the heart) is pierced
through by Prânâyâma, then a sort of happiness is
experienced in the vacuum of the heart, and the anâhat
sounds, like various tinkling sounds of ornaments, are
heard in the body. In the ârambha, a Yogî's body becomes divine, glowing,
healthy, and emits a divine smell. The whole of his heart
becomes void. In the second stage, the airs are united into one and
begin moving in the middle channel. The Yogî's posture
becomes firm, and he becomes wise like a god. By this means the Visnu knot (in the throat) is pierced
which is indicated by highest pleasure experienced, And
then the Bherî sound (like the beating of a kettle drain)
is evolved in the vacuum in the throat. In the third stage, the sound of a drum is known to arise
in tie Sûnya between the eyebrows, and then the Vâyu
goes to the mahâśûnya, which is the home of all the
siddhîs. Conquering, then, the pleasures of the mind, ecstacy is
spontaneously produced which is devoid of evils, pains,
old age, disease, hunger and sleep. When the Rudra granthi is pierced and the air enters the
seat of the Lord (the space between the eyebrows), then
the perfect sound like that of a flute is produced. The union of the mind and the sound is called the
RâjaYoga. The (real) Yogî becomes the creator and
destroyer of the universe, like God.”
Tomando ahora en consideración la ansiedad como una alteración del prana producida por la oscilación de pensamientos irracionales atados a sensaciones o vivencias pasadas que provocan una extensa lista de manifestaciones físicas de ese proceso interna de inestabilidad. Hay una curiosa coincidencia con el mapeo del nadi central y los chackras.
En referencia a eso Osho comento que Buddha jamás había hablado de kundalini, chackras, porque sus canales energéticos internos era tan limpios que simplemente jamás lo sintió. En ese contexto, se puede interpretar que cuando puedes expresar físicamente la sensación de un chackra representa, tal vez, un
Toni Romero |